Fuenteovejuna
Fuenteovejuna
Plot Summary
Fuenteovejuna, written by Lope de Vega between 1612-14 and published in 1619, is based on an historical uprising that occurred in the town which gave the play its name in 1476. In this play, the overlord, the comendador, rules tyrannically over the town of Fuente Obejuna, abusing his position of power and his subjects at will. Following a series of atrocities, the play reaches its climax as the comendador steals away one of the peasant girls, Laurencia, on her wedding day. Though the abuse is left unspoken in the original text, when Laurencia returns to the stage it is clear what she has suffered. Fuelled by anger, she calls upon the townspeople to stand with her and to rise up against her abuser, which they do. Though the town murder a representative of order, they are ultimately pardoned by the Catholic Monarchs when they refuse to say any more that 'Fuenteovejuna lo hizo / Fuenteovejuna did it'.
Laurencia
Fuenteovejuna. Fuenteovejuna. 2020.
Fuenteovejuna (flamenco). Teatro royal. 2012.
Fuenteovejuna. Fuenteovejuna. 2022.
Fuenteovejuna. Joven Compañía Nacional de Teatro Clásico. Centro Niemeyer. 2017.
Fuenteovejuna (flamenco). Corral Cervantes. 2023.
Tickets available for July 2023 here
Fuenteovejuna (flamenco). Teatro royal. 2012.
Who is Laurencia?
Although Lope de Vega's play was inspired by a documented historical event, the characters which feature in it are fictional. In the play, Laurencia is a young peasant woman who lives in the town of Fuente Obejuna and is the daughter of one of the village elders. She is a straight-talking woman who catches the attention of the tryannical overlord and who narrowly escapes his attacks on two separate occasions before she is ultimately overpowered by him and his men.
What actually happens to Laurencia?
As was common practice in plays from this period, the actual assault of Laurencia occurs offstage. We, the audience, are therefore left to infer what has happened when she returns to the stage dishevelled and distraught. This produces one of the most powerful and celebrated monologues in Golden Age Spanish drama. It is in this monologue that she confronts the village elders, she holds them accountable for their cowardice and their failure or refusal to help her, and moves the entire town into action. Over time, different performances and adaptations have interpreted and staged this scene in a number of ways: some emphasise her upset and her hurt, others her rage, and others still opt for a more contemplative figure. What is clear in each, however, is that Laurencia has been failed by the systems of power that were supposed to protect her.
Lope de Vega
Lope de Vega, often dubbed the father of the comedia, is arguably the most important figure in the development of Spanish Golden Age drama. The most prolific author in Spanish history, Lope is estimated to have an output of over 1800 plays, of which some 400 are extant. An intriguing literary figure, Lope de Vega is also often credited with the creation, or at least the standardisation of the comedia nueva genre. Published in 1609, Lope wrote a manifesto, El arte nuevo de hacer comedias en este tiempo / The New Art of Writing Plays, in which he laid out the requirements for a successful play, even detailing what verse form should be used for which type of speech, and which plots are most popular.
Useful links
Full Spanish text can be accessed here
Watch a recording of Fuenteovejuna (2022) performed by the village of Fuente Obejuna (Spanish) here
Casa Museo de Lope de Vega: visit the house in which Lope lived in Madrid and uncover more of his story